COMMONFIELD CLAY


Earthenware bell  from the banks of the Mississippi River. Cathartic noise - occupying space - artists and activists holding open rehearsals on instruments made from common brick clay found underneath the soil in St. Louis, MO.

The project embodied a kind of diagonal hyper-regional future-folk music through  local materials and communally authored music. The ceramic chimes were used in a workshop and performance for 250 local people who came to listen, reflect, watch the moving light within Tadao Ando’s building in central St. Louis.
GRATITUDE to the performers and craftspeople who worked on this project - especially Dan Barnett who taught us about local clay and how to make it a part of our work.

2015

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The gallery functioned as an open and rehearsal space — part laboratory and part sanctuary — made active by a tight cohort of artists, activists, poets, and urban planners.  























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© Chris Kallmyer & Furniture Music